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Sure, we're trying to alleviate the foot-aching monotony of the picket line by making it more entertaining -- it's what we do, after all, and events like Trek Day also generate press coverage, which can be hard to come by when the mega-corps that own the studios also own the news media. So, yes, it might look like it's one big party. But if you think we're not hurting... if you seriously think that striking writers aren't sacrificing anything, then I direct you to the amptp's own website (amptp.org), which has a running ticker celebrating how much writers are losing as the strike drags on! We're not "happy." We're resolved. But we're not happy, trust me.
We want to resolve this! We're sitting at the negotiating table waiting to talk! They're the ones who made illegal demands and walked away. We want to end the strike. They do not. Blame them for the lost jobs.
Oh, and by the way, every writing staff I know, including my own, has given their laid-off PAs and assistants money from their own pockets to help them during this hard time, even as we all also lost all our income. There is also a general fund of money collected from writers specifically set up to benefit those non-WGA workers who have lost jobs.
We're not The Grinch. The Moguls are The Grinch. We're the little dog who's finally had enough.
Come by the picket line, Robert. I'm at the Barham gate of Universal every morning at 6 AM. Talk with the writers. Find out how "happy" we are.
The average writer in the WGA makes 220,000 a year.
I feel no pity for them. Shut the fuck up and stop whining.
They are fighting for what they deserved from the beginning. Writers, no matter the medium they are writing in, are ALWAYS the ones to get shafted. No one sees them, they just see the lively characters on the screen, and no one ever stops to think just WHY you love a character in a story or television program. You think it's easy? You think Keifer Sutherland could come up with all the ministories to go through for his stint on 24? You think directors or producers could pull out an Emmy winning story?
That's what the whole strike is about--to get what's owed to them showing that they are the backbone of everything going on in Hollywood. Your portrayal of that assistant strikes a good point in their favor--they never asked to be the backbone, they don't get paid NEARLY enough to be such a support, but that's what they are and they deserve respect. They should be acknowledged. I'm very sure they would much rather be at home with their loved ones or even in the office drafting a new episode of Supernatural for Jensen and Jared to look forward to shooting. Instead they're out at ungodly hours in the cold to show a collective voice that they're not taking crap anymore.
I support the WGA. Maybe with the loss of so many jobs people will take the WGA serious now because it doesn't look like anyone has before.
To Robert Fure, who wrote this.
1. The AMPTP is making this happen. What if, instead of trying to break the union, they said, okay, we'll bump you from 4 cents to 7 cents (we'll drop a penny) on DVDS, and instead of offering you no money for any internet downloads, we'll accept the 2.5% position - let's maybe modify it a bit. You think we'd still be out? No. We would not. The AMPTP has walked away from the table, given ultimatums, and refused to negotiate.
Before blaming the worker for the problem, one must first look at the boss. If you do not, you are missing the essential problem. The WGA does not want to be on strike. I am in WGA-East - you think I like standing around in the hail? Yeah, no. But if we do not fight this fight, which also behooves the DGA - no matter what Apted says - and SAG, and the Teamsters, who get residuals paid into their pension and health, then we are failing other workers.
I think it is disgusting that people are losing their jobs because the studios and networks (Rupert Murdoch?) have no desire to settle this. Do you think I'm happy about this? No. I'm fighting to win a good fight. That is all.
Here is a question for you, and for all the negative posters: Why do you want to believe the AMPTP? Any answer?
I'm happy to finally see someone willing to complain about the whiny writers and see the rest of the people who are out of jobs because of the strike. I complained about it on TWOP and my post was flagged because I :shook my head: at the beginning and end, thus dismissing other's ideas or something.
Although I think the Trek day was cute and it makes me like the writers a little more, I don't really mind it too badly for me. I have plenty of Trek on DVD I can keep up with :) and lots of movies, this has really given me a chance to actually watch some of the DVDs I own.
I fully understand the gravity of the situation of the Writer's Strike and feel that when you read my entire series on the strike, you'll find I have complex feelings on the issues. I do not try to belittle the writers movement and have always felt that writers dont get the recognition they deserve or the payment. I think they should be awarded the extra money on the DVDs.
However, I always manage to find myself in a Devil's Advocates position on things that have overwhelming support, like the WGA Strike. I'm trying to get the other sides position into the open, as I work closely with, and am, a member of below the line crew. Editors, Supervisors, Coordinators, Assistants, etc. I count them all among my close friends and this hurts them. And while some PAs are lucky enough to have kind friends and connections to the WGA, many of them do not.
I would urge you to continue speaking your opinions on this issue, pose further questions for thought, provide more examples, and also read the other articles in our WGA Strike series.
I know you, guys, will negotiate a better deal! Thank you for the great content generated so far!
I'm a fan and am here; beside you.