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But in all seriousness, good review. I'm fairly excited to see this, but I don't have the same excitement as I did for The Dark Knight or Iron Man, so I don't know what I'll think of it.
I have felt for a long time that this is inside material. As much as I hope I like this film My gut feeling is I will not. I have not read the novels and the trailers do nothing for me and neither do the clips.
I really appreciate the manner and "point-by-point" manner of the review. Great job, great read.
As everyone's pointing out, this is a great review because it addresses the people who haven't read it or know much about it (me) as thoughtfully as the rabid fans. I think I might wait a little bit and let the fanboys and girls (I ran into one last year) have at it for a while. I don't want to hear any sighs or exasperated groans.
My train is still on course for Watchmen!
You just ran into another. ;)
It was ridiculous. The girl went off on me as if I hadn't seen Star Wars or something.
I think the studio did a good job of trying to parade Snyder's name everywhere in the months leading up to the release, because as you said, this isn't an easily marketable movie, but Snyder's success with 300 will bring people in who wouldn't have given Watchmen a second look. I think it's going to have a strong opening weekend, but I think any direct comparisons to TDK are unfair, though I get how TDK is now a benchmark.
Watchmen is a guessing game for almost everyone, I think it might do something like $60 for an opening on the strong side. Zack Snyder fans will find that trademark Snyder style in a bunch of places, so they should be pleased.
I'm really interested to see general audience reaction and box office.
I caught a synopsis of a review of Watchmen on digg that said something the effect that everyone he knew who hadn't read the book loved the movie. Some reviewer on joblo.com? I've never heard of the site before, but that doesn't mean anything. Anyway, i assume most people he was talking to were film critics who have an appreciation for film in general rather than your movie goer that helped Paul Blart make 33M on the opening weekend. I have no idea how it's going to be received by the general population (not having seen it, obviously) and with the generally bleak nature of it, it may not get "word of mouth business." An example of that, for me, was Before The Devil Knows You're Dead. I absolutely loved it, and recommended it to a friend who also like darker movies, and he couldn't finish it (because it was "so depressing") but said it was well crafted. I think that's the kind of response that we'll see. "It was well made but the story was too dark, or too confusing, or too etc etc for me to follow."
Now completely off topic, another friend and I thought that physically speaking, Charlie Hannum (Sons of Anarchy) could pull off the Joker look fairly close to Ledger's, though I don't know about how close his performance would be. He also likes to play "psychos" or fringe characters. Just a thought anyway.
As far as opening numbers, I'm CERTAIN it won't hit TDK's for the opening weekend. If you compare the numbers for Batman comic fans and Watchmen comic fans, way more are familiar with Batman - at least way more of the 18-30 year olds. On top of that, The Batman movie franchise had 4 other entries (most of which did ok at the box office) before Batman Begins. It was a fairly well-respected franchise until George Clooney showed up. It really looked like he had finally accomplished what all of the batman villains could not: kill the batman. Not that Val Kilmer did Batman Forever any favors, but alas.
I'm sure the reviews will be mixed, but to say that a large % of the population hasn't heard of it by this point is just plain silly. I have seen 4 Making of: The Watchmen specials on 4 different channels in the last week.
Keep in mind that the average target audience starts at age 13, and also includes 40+ audiences in a total movie going population. What you're seeing is them marketing to your age group. Etc Etc. You may have seen a ton of 'making of' shows, but I've seen a ton of 'So What's Watchmen all about?' articles on sites like MSN etc. Meaning, again, if people have heard of Watchmen, they probably don't know what the hell it's about.
Techinically, it was amazing. Narrative-wise it's extremely inept.
The non-original music was poorly selected and distracting--some of the scenes with Night Owl and Silk Spectre II could have been re-written, but were not that bad.
Other than that though, narrative-wise, it was pretty good. I'd put it ahead of the Spiderman movies, daredevil, Catwoman, all the fantastic 4 movies, but not above the batmans and Iron Man.
Josh is just mad that he didn't get it and it didn't have shitty humor in it like crappy Coen brothers movies.
Alan Moore was right in not wanting to watch this or ever wanting it to be put on screen.
It's a graphic novel, not a movie.
The squid/Dr Manhattan changed ending bothers me a little, not so much because the squid was great - even Alan Moore admitted its a mcguffin - but because ultimately I think it changes what the ending means philosophically. In the book humanity unites to defeat a perceived common foe not to appease an angered god to prevent further "Sodom and Gommorah"-like attacks. But really this is a matter of nuance and really isn't that big of an issue.
Similarly the amped up action even for the characters who, unlike DR. Manhattan, do not have superpowers is a conceit that I'm willing to forgive to get asses in theater seats. Do I think It'd be a better film with out the tacked on action? Yes. Would it be successful in this medium without it? Probably not.
So really what bothers me are the changes that seem to be done for no reason. Normally in a film adaptation these kind of smaller changes would really pass unmentioned but in a film where obvious effort was expended to stick to the source these changes seem glaring.
For example Rorschach's "origin" with the dogs and their owner. Why was it necessary to have Rorschach kill the man with a cleaver (and brutally so) as opposed to letting him burn? Also why change the scene at the jail with the crime boss and the two thugs? Were these changes made to amp up the gore? If so why is this necessary? Do we need torture porn in modern R-rated Films?
Overall I think I fall into the group that accepts that this is about as good a Watchman film as our current film industry is like to deliver. At the end of the day the amount of discussion and debate the film has caused I think in many ways mirrors the impact of the source material, although for different reasons. Its hard to see that as a negative.
As for Rorschach's origin, a couple of people on net put forth the idea they had to change it because his comic origin is too close to the first SAW movie, which I'd say is valid.
Its = possessive
Writers know this.
Therefore=?