-
Website
http://www.filmschoolrejects.com/ -
Original page
http://www.filmschoolrejects.com/reviews/review-inglourious-basterds-robhr.php -
Subscribe
All Comments -
Community
-
Top Commenters
-
mychaleg
85 comments · 2 points
-
Peter Donohue
123 comments · 83 points
-
littlemovieman
58 comments · 2 points
-
Rohith
48 comments · 1 points
-
Reebee7
114 comments · 61 points
-
-
Popular Threads
-
Boiling Point: Twilight
6 hours ago · 9 comments
-
Slow, Long Process: ‘The Goon’ Script is Ready for Fincher
2 hours ago · 1 comment
-
Twilight Fans Get a Much-Needed Intervention
10 hours ago · 7 comments
-
Caption This: Win Uwe Boll’s Far Cry on DVD!
2 days ago · 27 comments
-
Twilight Saga: New Moon Sets Records, Hauls in $140 million
1 day ago · 11 comments
-
Boiling Point: Twilight
and the soldiers part obviously was clearly to not give away his position.
And you may not love it like I did, but I'll be disappointed if you don't enjoy the very funny dialogue, the quick and bloody bursts of violence, and the beautiful Melanie Maurent.
But those slight problems you had were more major for me, and they dragged the movie down past the A- realm. Tarantino had about 20 more lines of dialog in every scene than is really necessary, save except for the bar scene that's one of the most perfectly executed scenes he's tackled. Those inserts made no sense, but they weren't too terribly jarring. But the thing that got me the most was his stroking of his cinematic knowledge. It's just a bit too much, and it took me out of the movie...no bueno.
Not that I don't love a Lillian/Goebbels joke, but all the tiny insights got to be a bit much.
But...people should definitely bone up on their WWII/Nazi history because they will love this movie even more.
--> http://www.590klbj.com/movies/reviews.aspx <--
That minor discrepency aside, your critique applies to just about every other Tarantino film before Basterds. He hasn't become a minimalist when it comes to dialogue by any stretch of the imagination, but none of it here felt inflated or without purpose. Col. Landa is the only one who seems to take tangents, but they always prove to be intentional, precise, and with a firm destination in his mind. And I agree about more historical knowledge increasing your enjoyment of the film... as long as you remember that Tarantino's not playing slave to historical accuracy.
Some of the dialog serves little purpose beyond proving to the world that Tarantino knows more about film than everyone else. He's like a guy who's one the pissing contest and then continues to piss on everyone. It's not the downfall of the movie or anything, but some of the dialog is just a bit much.
But...I am going to see it again this weekend and paying for it.
With IB QT totally changed his playground now coming over to Europe. And it's a nice touch that he used alot of French, German and Italian in the dialoges throughout the movie when he could've just made everybody speak English and leave it up to the audience to guess who's from which country. Landa deserves much respect for learning all those beautiful languages.
I would compare Landa with such enjoyable villains as Matrix's Mr Smith and No Country For Old Men's Anton Chigurh. Wonderful characters they are.
Now some random rambling:
I expected the German high brass to survive since that would've been more true to history. Didn't mind all of them get theirs though.
Shosanna looks very much the girl I dated a while back so A+ for using her in the movie.
I was positively surprised to hear a Beethoven's Für Elise remix when the germs were arriving to interrogate the frenchman.
I half expected Myers start pulling some stupid jokes, but thankfully that didn't happen.
Watch Inglorious Bastards from 1978. I wonder now if QT took any ideas other than the title from there..
Don't you hate when in films they speak English with a German accent to let us know they're German? I was delighted to have the real language spoken.
**SPOILER ALERT** Anyone else have thoughts on why Landa betrayed the Nazis? I'd have to plump for a controversial one and say he was homosexual with his radio controller and wanted to ensure their safety. Just a thought though.
I have to disagree with your criticism of the sub-titles, to me, it felt like the times when subtitles were not used were times when you were supposed to connect with the character who couldn't understand the language. i thought his use and non use was balanced perfectly.
Many solid performances (Landa, Shoshanna, Hickox[loved Fassbender in Hex]), although I agree with others that Myers was miscast...too distracting. For a moment my friends and I hoped that it was him playing Hitler, but alas... Thought that Roth's clumsy performance might have been on purpose. Maybe Tarantino said, "Act like a little shy Jewish guy who just got The Hulk's body."