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When you go into a movie like Song of the South or the other prime example, Birth of a Nation, you go in knowing that it was made at a time when racist policy or thought was not only normal, but accepted. If you can't get past the idea that this is going to paint slavery as something awesome (because at the time period, that's how lots of people thought), you won't appreciate the movie. But if you can suspend disbelief...
It's like Hitler as a painter. Sure, Hitler is among the Top 10 worst people to ever live, but he wasn't a bad painter. He was a far better painter than me. His paintings aren't worse because he's a genocidal maniac with a humorous mustache.
I've seen both films (And Triumph Of The Will) and while I can't imagine watching them for entertainment, they were in their own ways landmarks and should be acknowledged as such. No matter how painful that acknowledgement is.
Oh, if you want to talk about racist films don't forget Gone With The Wind. I saw the 50th anniversary reissue and by the third time Clark Gable used the term "darkie" I was ready to jump out of my seat and smack the crap out of him. lol
As far as racist portrayals of blacks (Bay's Autobots has already been mentioned), I think that people like Chris Tucker and Martin Lawrence do an equal amount of damage to perceptions of blacks as Birth of a Nation ever could. They're not the serial rapists like Griffith had, but isn't playing the wise-cracking fool just as detrimental?